hello people just how's it going welcome to an additional tutorial and this's gon na be all about shade grading I get a lots of remarks as well as concerns stating that they such as the color qualities that I do asking how I do color grades as well as I have actually been trying to figure out exactly how can I reveal more of that how can I give you guys extra cuz at the very least for me I enjoy seeing other people's process what do they do what plugins do they make use of how do they control points I really like seeing what other individuals do so then I can take a few of those points right into my very own operations.

I will gain from them and also I placed a lot of infiltrate shade grading I do not leave a solitary clip untouched each and every single clip has some kind of shade quality to it I always color quality as well as the reason for that is that it's a free easy means to make your video footage look method far better it simply takes some time as well as practice yet it's a free means of making your footage just look a lot better so why wouldn't you take advantage of that as well as just take your video to the following degree that being claimed it is likewise extremely tough it takes a lots of method and also simply training of the eye in order to get actually awesome shade grades but the only method to improve at is to simply practice and just begin doing it it is 100 percent workable don't obtain prevented and also don't get terrified there's a lot of things going on but it's really fairly basic once you obtain used to it so here's just how you can get a truly cinematic shade quality straight as well as best as well as a great deal of these very same concepts relate to all the other modifying programs yet I'm just gon na show you guys just how to do it in Best currently my initial step is to constantly start with a lot technically you ought to be color fixing and also shade balancing all your Clips first and after that including a LUT or color quality to it but I discover that this just conserves a lot of time especially for YouTube.

I just do not have time to be going back as well as forth shade correcting and grading and after that correcting again so I recommend discovering a let that you like and afterwards utilizing that as kind of your structure right away and then just get involved in it it conserves so much time using a whole lot as opposed to going back to square one or doing the precise same things over as well as over once more just use a great deal as well as you have an excellent foundation to start from not to mention it can be really difficult to in fact make a trendy and there's all type of Luntz available some of them are very excellent as well as several of them aren't so great but I like seeing what other people's let's do it's a good learning process so in some cases.

I'll just get other individuals's allow's as well as examine them out to see what type of things they're doing to their video footage so we're gon na enter into the imaginative tab and afterwards I'm gon na choose a lot and I'm gon na be utilizing the cinema love from my cine allowed's pack these are the great deals that I'm making use of solely for all of my video clips so if you have an interest in them or you don't have any type of allows you can check them out down below finest 20 dollars you've ever before invested I'm just kidding no pressure there's lots of good Luntz out there however these are the ones that I'm gon na be utilizing for this example currently right off the bat this looks horrible it's means too strong which's done intentionally so you can dial it down as well as fine-tune it to your liking in this case I'm gon na pick around 47% and this is the largest secret to making a truly cinematic color grade is to maintain points subtle never go too much with the color grade it need to never be distracting the audience should never recognize that this is shade graded truly heavy it needs to look natural however still motion picture at the same time specifically skin tones you need to be really mindful as well as treat them in an extremely subtle means skin tones are actually difficult if they're not spot-on our eyes can right away see that next we begin the tweaking procedure and this is where all the fun happens to begin with the temperature is a little off I think it's a little as well blue so we're gon na bring it up a bit to around 18 or 19 I also prefer a little more eco-friendly in my photo I don't recognize why I simply dislike magenta for some reason so I'm gon na bring it down to around minus 6 after that let's play around with the comparison a little and this is where you can actually experiment and see what benefit your image as an example below I do not truly like how bright the sky is it was a a lot more irritable feel when we were recording so I'm gon na lower the highlights around minus 55 is excellent and this is simply affecting the brighter portions of the image generally after that we're gon na rise on the shadows a little this is type of the darker locations of the photo just to get several of that information out we're gon na bring it up to around 20 and afterwards to obtain a bit much more contrast we're gon na bring up the whites which is simply the very brightest part of your picture basically just the skies here we're gon na bring it as much as 10 and keeping in line with being refined.

I seem like this is simply a little also saturated so we're gon na bring it in simply a little to around 95 after that we're gon na go into the 3 way shade correctors and this is where I such as to obtain a little bit a lot more imaginative with the comparison and also the colors primarily simply contributing to the color grade or tweaking it a bit and also generally I like what's taking place I'm just gon na drop the shadows a little bit to get a little bit more of that moody appearance and afterwards we're gon na raise the mid-tone so we're not shedding detail there and afterwards something I believe we're missing right here is a little of color contrast the sky was this good orange so we're gon na add a bit of orange to the highlights so we can obtain some shade comparison going on in this image in between the blue and also the sky being a bit much more Orange so take the highlights wheel and also drag it in the direction of the orange location be really refined concerning this yet you can really see just how it makes the skies pop now in comparison to the rest of the photo since looks actually amazing currently however once more it's the subtle little points and also for me the skin tones might be a little bit much better in this image.

I feel like they're a little bit too dark a little eco-friendly and possibly a little as well saturated yet I do not wish to affect the whole photo I just intend to be repairing the skin tones so we can enter into the HSL additional and also below we can choose just the color of the skin tones we can utilize this eyedropper to in fact pick just a component of the photo as well as below we're passing shade so we're gon na choose the color of the skin tones and also you can examine this little box right here to see what's being picked and also if it really did not exercise effectively you can adjust the hue saturation and also the luminosity of your choice to really improve it then I like to denoise that option around 15 jobs well here and additionally blur it a little so it just blends in much better I'm gon na pick around 5 right here this is really crucial so it's not extremely evident that you're just transforming the colors and the complexion if you have no blur or no denoising you can get some really amusing looking stuff and also it just looks truly weird alright so first of all we're gon na do away with several of this eco-friendly in the skin tones we're gon na enter into the three way color corrector and we're gon na relocate the mid-tones to the contrary instructions of eco-friendly to eliminate that environment-friendly which is the green location currently keep in mind keep subtle do not go as well far with it or else you're going to wind up with magenta skin tones we're gon na raise the exposure a little just to illuminate the skintone so they pop a little bit more so you can just raise the darkness the mid-tones as well as highlights as well as just mess around to see what jobs best for you after that we're gon na sharpen a little simply to make that face actually stand out around 20 is excellent right here and then we're gon na desaturate take it down to around 80 an oversaturated face can be truly distracting and now I do not truly understand specifically how these shades are gon na end up in YouTube however this is an excellent way to tweak specifically what you need more specifically especially with skin tones all right we're all done.